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TSHAM

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La rencontre des cultures (2018)

TSHAM

Ballpoint pen on canson paper
84 x 120 cm
Sold


This work heralds a watershed in Tsham’s career. Far from the profusion of masks and statuettes characteristic of his classic works, it portrays a simple confrontation between two figures. Simple, yet ultra-symbolic: the showdown between Africa and the West, the head-to-head between classic and contemporary art, and the asymmetric nature of how the two arts are financially valued.

La rencontre des cultures_2018_Tsham_galerie Angalia
La rencontre des cultures_détail_2018_Tsham_galerie Angalia
La rencontre des cultures_2018_Tsham_galerie Angalia

VERSION MOBILE

Enquire

La rencontre des cultures (2018)

TSHAM

Ballpoint pen on canson paper
84 x 120 cm
Sold


This work heralds a watershed in Tsham’s career. Far from the profusion of masks and statuettes characteristic of his classic works, it portrays a simple confrontation between two figures. Simple, yet ultra-symbolic: the showdown between Africa and the West, the head-to-head between classic and contemporary art, and the asymmetric nature of how the two arts are financially valued.

Enquire

All works from Tsham

Sans titre (2019)

sans titre_2019_Tsham_Galerie Angalia

Les douze (2018)

Les douze_2018_Tsham_Galerie Angalia

Les demoiselles du Congo (2015)

Les demoiselles du Congo_2015_Tsham_galerie Angalia

La danse autour du monde (2015)

La danse autour du monde_2010_Tsham_galerie Angalia

Conseil de sécurité (2014)

Conseil de sécurité_2014_Tsham_galerie Angalia

Christ noir ? (2013)

Christ noir_2013_Tsham_galerie Angalia

Trois femmes africaines (2011)

Trois femmes africaines_2011_Tsham_galerie Angalia

La diversité (2010)

La diversité_2010_Tsham_galerie Angalia

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Happening now
Requiem pour la terre de lait_2022_Gosette Lubondo_Galerie Angalia

“Terre de lait, terre de miel”, Gosette Lubondo’s new series

5 April 2022

Artists

Some have called it the “Versailles of the Jungle”. The town and palaces of Gbadolite, located in northern DR Congo, rose from the middle of the jungle through President Mobutu’s will alone. He wanted to make his home village into his…

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ANGALIA GALLERY

By appointment+ 33 (0)7 81 72 30 62contact@galerie-angalia.com

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  • Why the DRC?
  • The place of African contemporary art

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VERSION MOBILE

ANGALIA GALLERY

By appointment+ 33 (0)7 81 72 30 62contact@galerie-angalia.com

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  • + Pourquoi le Congo ?
  • + L’art contemporain africain

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